cyberpunkmag.com

Can someone explain this ad?

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I think I'm done

Since 2.0 came out, I have played Cyberpunk with just about every build, every life path, and every choice. Last month, I decided that I was going to do my best to do everything in the game, then be done. Every car bought or found, every gig done, every mission completed. Not 100%, of course, but good enough for me. This way, I can end the game on a positive note with good memories, rather than letting the game get boring. In the end, I climbed up the Black Sapphire to get my last in-game view o

The Great Anime Directors RANKED (Part One) || Blood Days Podcast

0:00 Introductions 1:28: Akitaro Daichi (Now and Then, Here and There; Kodomo no Omocha; Fruits' Basket) 3:11: Akiyuki Shinbo (The Soultaker, Le Portrait de Petit Cosette, Monogatari Series, Shaft Shows) 7:07: Atsuko Ishizuka (No Game No Life, Place Further than the Universe, Pet Girl of Sakurasou) 8:54: Ayumu Watanabe (Witch Hat Atelier, Space Brothers, Mysterious Girlfriend X) 15:10: Baku Kinoshita (Odd Taxi) 17:09: Daisuke Nishio (Dragon Ball Z, 3x3 Eyes, Futari wa Pretty Cure) 19:09: Ei Aoki

NeuralLife Resolume Project Overview

This month's reward explores cyberpunk identity through an ever-shifting character, while graphic elements track and react to the character's changing form, reinforcing the sense of a living digital system. Character and overlay loops can be cloned and layered into futuristic tech mixes inspired by digital identities, information streams, and constant transformation. Six VJ loops + a Resolume project, already arranged into columns so you can jack straight into the mix. Get the loops and see t

NeuralLife VJ Loops

Cyberpunk Neon Text

This is something I originally made for someone else, but I didn't end up giving it to them because I wanted to do something different for them. I do think it looks great though, so I decided to use it for my own use cases. I will use a still from this on the front of my own physical business cards, and if the platform allows, then use the animation as a background for digital business cards. This can also be used elsewhere as I see fit. This is made in Blender and rendered in Cycles. One of the

JOKER 242 UNIVERSE — Episode II | Welcome to the Quest Club

The story continues. Episode II expands the world of Joker 242 Universe, introducing the rules, personalities, and atmosphere behind the game. While the first chapter focused on action, survival, and visual spectacle, this episode reveals the identity of the universe itself through character-driven storytelling, cinematic dialogue, and seamless world-building. At the center of the story stands Harlequin — the mysterious mastermind behind Club 242 and the architect of the Quest Club. Through dy

Mecha | UE5.7 Cinematic

Hello everyone, I’m very excited to share my new personal project with you. This cinematic is one of the projects I worked on in my spare time. I wanted to create a story set in an unknown cyberpunk city. The entire film was shot using Sequencer. I also had to spend a significant amount of time working with retargeted animations. Like many all-in-one artists, the sound design, lighting and color grading were all done by me. PS: No generative AI was used in the making of this film. Thank you

How To Mix the NeuralLife VJ Loops in Resolume Arena

Here’s a Resolume tutorial where I break down how I built the NeuralLife project - taking six loops and turning them into a wide range of variations and compositions for different moments in the music. I talk about the ideas behind the cyberpunk theme, why I created five character loops and one graphic loop, how I generate new graphic elements from the overlay, the effect stacks and cloners I use, compositing techniques, color variations, and more. Get the loops here https://www.stvinmotion.com

Static Overdrive

“Static Overdrive” by Midnight Frequencies FM is a full-throttle collision of acid techno, industrial metal, and underground trance energy. Relentless warehouse pressure driven by screaming TB-303 acid lines, pounding four-on-the-floor kicks, distorted guitar blasts, double-kick chaos, rave stabs, and massive cyberpunk atmosphere. Built for: Strobe-lit warehouses Tunnel runs at 3AM Cyberpunk dystopia energy This track doesn’t slow down — it mutates. New music every week from Midnight Freque

Deadass the funniest bug i have ever encountered😭💀

Having the chance to interact with Judy as male V was weird af ngl💀 wth happened there   submitted by   /u/Wide_Apple_5229 [link]   [comments]

Finally finished Lore's character sheet!! Just in time for artfight! 🎉

ALTFinally finished Lore’s character sheet!! Just in time for artfight! 🎉

2077 Series 10 - We're Not Done Here

2077 Series 10 - We’re Not Done Here

2077 Series 11 - Uh, women Tagging this one for the lesbians

2077 Series 11 - Uh, womenTagging this one for the lesbians <3

2077 Series 12 - More stuff I thought was cool but didn't really fit in any particular series or category

2077 Series 12 - More stuff I thought was cool but didn’t really fit in any particular series or category

From as early as the late 1970s, cyberpunk writers were describing the use of a computer as being an avatar traversing a...

From as early as the late 1970s, cyberpunk writers were describing the use of a computer as being an avatar traversing a physical landscape. This was for multiple reasons.Firstly, and quite simply, most of these writers were imagining the use of future computers, and had no idea how the technology would develop.Secondly, computer usage is somewhat intangible, (especially so for previous, less tech-literate generations of readers) so writers needed something tangible to describe besides the click

Are there any other known high-functioning cyberpsycho besides Adam Smasher and Melissa Rory?

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News drop on the next game from the makers of the Ascent

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What is the concept of cyberpunk like in other countries?

I had mentioned it before, but I’ve watched some works and movies that really caught my attention. On one hand, we have Akira and Ghost in the Shell, which talk about technological advancement and the design of massive cities that make us feel tiny, besides resembling hive cities. On the other hand, we have Blade Runner and Demolition Man—one dealing with the technological capacity to create machines capable of feeling or even killing, and the other about how a man has to adapt to a differ

I think I know who she learned from

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